What’s the secret to writing a cosmic horror book that shakes your readers’ structures? In any case, as it is information that is kept in the character’s mind, it is recommended that the revelation be made through a gradual process of self-knowledge, which can be followed by readers. Without a single voice, all the work spent on developing your plot will go down the drain because the book will basically be unsalted. In this case, this decision needs to make a lot of sense with the plot and character of the protagonist. Plot planning works like a map, a guide that guides you through the entire creative process. This timeline will be your guide, and of course, over time, it is likely that many things you had planned will naturally change. It is interesting to time the time spent in the simulation to ensure that during the test you have natural control. At all times, whoever is communicating with the reader is not an unknown entity, as is the case with the third-person narrator.
The least expected of a premade book cover design in diary format is for the protagonist to sound like a person of the right age and social background. Think carefully. Your story has a protagonist. And, it’s okay that this experience also has its credit (sometimes we hear absurdly funny stories on public transport), but as writers we have an obligation to make a fictional experience as believable and immersive as possible. It’s something that arouses our curiosity and, at the same time, makes us smile. Request feedback from your readers, submit your ebook to relevant blogs and authors, even send it to your family, friends and colleagues. Your family, your friends, your coworkers, school, college. A character who has an accent, age, education, style, favorite bands, friends, a whole life story, and so on. It could be a fact that could change your life, and the character doesn’t want to suffer the consequences of admitting this fact to herself.
Now, in case the narrator doesn’t want to admit or remember the surprising information, you can think of several psychological reasons why the character keeps this fact in the confines of her mind, away from the diary. You can play a little bit of information at a time, spread it out through the chapters, so that the reader gets to know the protagonist little by little. So, it would be interesting to follow the protagonist’s emotional and logical process after receiving this information, reviewing all past events and how they fit with it. This not only avoids suffocating readers, it also makes them more intrigued and involved in the story, which doesn’t reveal itself all at once. The goal here is to make your search process much faster and more accurate. I don’t even know how she is anymore, she hasn’t lived here for a while. All characteristics matter: age group, social class, gender, city where you grew up, city where you currently live, education and even sexual orientation. Without paying attention to these issues, it is possible that even hiring an experienced designer you will not get a suitable cover. Ex.: “Kelly was grounded after that day and I still don’t know what happened.
Eg: “I remembered a day I played with Kelly in that playground. On the way home, I passed the playground where I used to play as a child and felt a very weird feeling in my stomach. Comedy is perhaps not the genre most aspired by beginning writers, but if you consider different types of entertainment, it is one of the most consumed by audiences, perhaps in an almost timeless way. It would not be possible to produce a work so moved by the moment and adventure with the help of methodical planning. At the time of editing, you will have the opportunity to improve all the elements that are still a little “raw” with the knowledge you acquired as you wrote the diary. In this way, you can benefit from the relationship that exists between author and diary, as if the diary itself were a kind of imaginary friend, and make the author appear in the pages, describing his world little by little.</p >